Graphic Design Training — Enhancing Your Computer Graphic Design Skills

Graphic designers nowadays require not only creative abilities, but also some understanding of other graphic design-related areas such as computer graphic design.

During the 80’s, the advent of desktop publishing and of design software such as Adobe Illustrator and Macromedia Fireworks, put the power and versatility of the computer at graphic designers’ fingertips. Designers for the first time were easily able to manipulate images and create 3D images using the computer. Computers are now considered to be an indispensable tool in the graphic design industry, though some traditional graphic designers may still prefer to use manual and traditional tools for their creative endeavors.

With modern graphic design concepts and methodologies always changing, graphic designers need to continually advance their knowledge of different graphic design techniques, innovations and graphic design software packages. At present, the basic instructions in graphic designing cannot guarantee for a competitive product anymore without the use of high technology, so that the demand for highly skilled graphic designers is higher than ever.

To become a computer graphic designer, the basic requirements include good creative abilities, good computers skills, and good communication skills.

Computer graphic design helps graphic designers complete their tasks faster and easier. They can effortlessly translate ideas into visual imagery, save it onto their computers and edit it whenever alterations are necessary.

There are great many benefits if you undergo computer graphic design training geared towards arming you with a wider range of cutting edge graphic design skills. Having computer design training also means a greater choice of employment. Computer graphic design skills are in great demand in such sectors as:

1. Advertising agencies – You can use your newly acquired graphic design skills to design appealing and eye-catching advertisements for different media.

2. Web design companies – Help design appealing web pages.

3. Design studios – Apply your design skills to photo editing such as editing the contrast and the brightness of colors on the photos.

4. Publishing houses – Perform layout design and editing tasks. Publications usually follow a distribution schedule; so make sure you are able to meet deadlines.

5. Corporate advertising departments – Design professional corporate ads.

6. TV and film companies – out of all the other jobs, this is where a graphic designer is most suited as it requires a comprehensive application of the designer’s skill and ability, especially if working on animation films.

Your computer graphic design training will open new doors for you into a world of greater opportunities. Your computer design knowledge, combined with your dedication and commitment, will surely help you reach your goal.

The State Of Graphic Design In Jordan

Jordan’s unique geographical position results in its experts choosing self development, which includes graphic design. Experts are also involved with developments taking place in neighbouring countries and the internet was extremely useful in putting interested parties in these two fields in touch with each other and sharing possible development tools. The development of Graphic Design is also assisted by annual exhibitions and specialised conferences held both in Jordan and outside the Arab world.

The academic and professional specialists for the basis in developing graphic design through the formation of local learning institutions. In these institutions academics, programmers and graphic design teachers can meet with professional designers and discuss the way business is moving forward and requirements of the labour market.

Practical training is considered the foundation of Graphic Design, upon which the academic skill of the student and his creativity are built. Working in a design office is considered to be the most important and effective tool in measuring the level of academic learning. It also gives an indication of the effectiveness of teachers in producing a generation of students capable of dealing with the academic ethos and engaging with the requirements of the profession. This training provides the students with opportunities to polish and develop their skills by working along side established practitioners. Today’s graphic design tools rely on information technology for producing visualisations of scientific developments. This visualisation requires an understanding of the scientific theory and the visualisation tools available, which in turn relies on the expertise of graphic designers.

In this paper I will focus on the profession of graphic design and its development by discussing its early development. I will review the positive and negative aspects of that development and how they related to changes in the market and the size of the market and labour force. I will also discuss the academic concepts, and the requirement for graduate graphic designers.

In this paper I draw from my experience of working in Jordan since 1987 at the MIDAS Establishment and my roles in student training at Yarmouk University and the Applied Sciences University, which I had been attached to since 1999. This paper addresses many questions and aims to explore the mechanics of enhancing graphic design in the academic and professional sectors.

The historic and technical initial stages of graphic design in Jordan

Graphic design developed alongside the printing and information technology industries. Printing was brought to Jordan in the 1940s by people who had learnt the trade in other countries. Jordan’s printing evolution was similar to that of other countries. Printing started using wooden moulds, then zinc clichés and letterpress, as well as other printing tools, symbols and shapes. It was the printing technology that restricted the scope for producing new designs. The range of items printed was limited to newspapers, cards and stationary. Printing started mainly in black and white, and was then developed to make photo made clichés through which the printers were able to print in full colour. Typolography, or raised printing was the main method and is still used today. Offset printing enhanced the quality of production, providing improvements in colour and picture reproduction. Around the same time the role of the graphic designer was developed, involving the preparation of makettes and then film montage and plates to be ready for printing (prepress); this relied on the professionalism of the film montage technician for the preparation of backgrounds for the pictures and words. Prepress was considered the most important process in the production of the final printed article. This process was carried out at the prepress service centre which was limited to a single institution until 1987. This centre had the capability and technology to perform a range of techniques where an artistic touch was required.

In the late sixties, design pioneers were not graphic designers, but had learnt the technologies of collage and calligraphy. They were able to imitate designs from abroad and in some instances reproduced them. Their work initially ranged from greetings cards, business cards, social stationary, letterheads and envelopes, then progressed to brochures and folders. The work was mainly limited to newspaper advertising which relied predominantly on the offset printing method. We shouldn’t forget the air brush technology that provided designers with the use of graded colours, achieving three dimensional effects for some designs, although the number of people using this was limited.

From 1980-87 design was performed by specialists in Plastic Arts and Architecture, as well as the first graduates of the college of arts at Yarmuok University and similar institutions. By the end of the eighties, the computer Linotype was used as a publishing tool by newspapers to prepare text for layout and paste it on the required pages next to advertising. Some publishing houses have graphic design offices which also acquired these systems to ensure the production of books and magazines to a similar quality. Linotype was also used to prepare the design of brochures and advertising materials that cannot be hand drawn. With time Linotype was also used for the preparation of other material by this method, including greeting cards, posters and advertisements.

The design and printing sectors found the computer to be an effective way of improving productivity. In 1988 with the arrival of the first design computer by Apple Macintosh, the numbers of workers in the field increased and performance progressed in the pre-printing stages such as film making and separation. However, the expense of computers meant that there use was still limited. The production of personal computers by competitors of Apple Macintosh as well as the ease with which film can be processed through its programs, created a huge increase in the number of professionals interested in graphic design. This became evident by the growth in the number of agencies, design offices, publishing houses and service centres.

Personal computers affected the technical and artistic aspects of production. Some production centres were able to develop their skill base and by recruiting experienced designers and developing them by organising training courses. These highly trained individuals achieved high standards of work within and outside Jordan and were able to compete with others in the Arab regions and captured a share of these markets, producing many publications. Jordanian specialists became serious competitors against other Arab countries which had previously monopolised the fields of design and printing. Jordan has developed so that it can meet the demand for design and printing within the country. Jordan has become a magnet for many publishing houses in the Arab region. Many production and publishing organisations were able to catch up to the levels of the latest technology. There is plenty of evidence to suggest that they will develop further, using modern production tools, and this will ensure there are enough local specialists who can continue to produce work of the highest quality.

The pace of technological development made it necessary for the academic institutions to provide the Jordanian market with the skilled workers who can work to the high standards required. These institutions have to continually adapt to the advancing technology as well as support the academics in their quest to enhance the artistic, scientific and technological aspects of production and publishing. Relationships must also be strengthened by co-operation between business leaders and academic institutions in order to provide the mutual benefit of improve standards, with the ultimate aim of keeping up with both local and international developments.

The easiest way to judge the standard of design and printing in a country is through the newspapers, magazines and books published. Television also provides a showcase for visual communication through locally produced advertisements. The speed of printing development has made impositions on graphic design and the designers themselves. Designers have to continuously update their training to keep abreast of new technology. This enables them to be at the forefront of improving quality and creativity in all aspects of production.

The advantages and disadvantages of sectors allied with graphic design

When discussing the organisations involved in design and production in Jordan it is easy to become overwhelmed by the variety and abundance of them. These organisations saturate the market. One of the reasons for the number of organisations is the variety of production formats, each of which has its own structure. Computerisation has lead to many operators being made unemployed.

Production sources can be divided into;

– Design

– Commercial printing

– Publishing houses

– Pre-press services centres

– Computer software training centres

These are the organisations where people often look for graphic designers, although most of them do not have academically trained staff who specialise in graphic design. Many of the people who own these organisations have chosen to specialise. Some of them specialised because the profession does not require a large capital outlay, others specialised because they had a knowledge of the tools used. Most appear to have specialised because this provides them with status in their community.

Although there are many organisations working in graphic design, the workers and owners in these establishments often lack awareness of the professional graphic design concepts as they have not studied the subject in depth. Employment opportunities for graduates only began to develop after 2000 when some organisations recognised the need for such skilled workers and academic institutions were able to produce professionals of this standard. The impression of graphic design graduates has changed so companies are no longer choosing graduates who studied abroad. Design establishments have noticed the high quality of products which trained graduates can produce with their competence and skills, and their ability to use the full range of design and printing equipment. Without this properly structured training program, experience had been gained through hap-hazard on the job training.

One of the weaknesses of those producing the designs is that they are not always confident about how to use the latest techniques. They often ask advice and prefer to work within their comfort zones, failing to produce designs that would demand a great deal of time, effort or care. Graduates are much more comfortable with change and willing to develop new skills. There are a few professionals, however, who have been invaluable in the development of graphic design by training others and developing their own technical and professional skills. These people have also monitored the pace of development in the fields of printing and graphic design.

Many of the professionals have established themselves thorough the high quality of the work they produce. This is not possible without a capable, aware and educated body of co-workers, who have scientific knowledge and are creative rather than imitating the work of others.

The increasing gap between academic designers and employers, or art directors and creative managers is often due to misunderstanding the role of graphic designers. In industry, the priority of some designers or agency owners is profitability regardless of the quality of the results.

The first problem is that some of the art directors or creative managers are not aware of the importance of their position, and often the employer is equally ignorant of this. Job titles are often arbitrary so artistic or creative managers frequently lack experience and expertise.

There is an absence of a common language between academic designers and managers or employers. This often frustrates designers, creating insecurity and hindering creativity. Such an environment can be an attempt to reduce a designers` status and restricts him from engaging in the creative thinking he would have been taught and university.

Adequacy of the professional reality

Graphic designers are distinguished from other fields by being one of the most creative professions; they work with information technology and visual communication. It also involves dealing with the business world, in which credibility and ability are necessary to achieve the creative work. Qualifications and talent are essential for this.

A graphic designer is not only an artist but also a technician who is able to use software and techniques to tackle the project in hand. His approach should go beyond communication with the audience, to effective promotion and display. His aim is to produce clarity and he should be able to do this from the information using the techniques available to him. The aim is to connect the data and in order to do this must understand the development and design of the software that could be used. He has to understand all the innovations and methods of designing texts.

The design sector requires professionals to have the experience to be able to select and classify information, and to create links between related elements. However, this won’t be enough if they can not interpret this and transform it into definite forms. It is also important to understand the vocabularies of with language, sound and music as they are the most important tools of communication. Added to this, the designer must understand how to use the specialised design software to write texts, prepare drawings, animated cartoons and websites. The designer should know about design, timing, transformation, rhythm and visual presentation.

The potential of the design sector should be realised by knowledge of the necessary theories and techniques to improve communication with the audience, enrich the design proposals and understand the reflective aspect of the design process, studies and research.

There is much variation in the qualifications of staff within the design sector. It is important to differentiate between the craftsman and the academic designer. The graphic designer is a complete cultural and intellectual entity that is noted in the sensational theory, linguistic theory, visual eloquence and the cultural history of art, literature, science, technology, industry and humanity. They cannot isolate themselves from developments in theories of communication, information development, and from management and criticism. Moreover to improve the added value of the final product, all methods and tools used in production and publication should be understood. They must understand the stages before the design, and they must understand the printing process and its implications on the design.

The market is crowded with many people working in graphic design. Due to the wide use of graphic design in many fields of work, the widespread use of computers and availability of basic software packages there is a role for people using graphic design without any prior knowledge. The expression of graphic design is still not adequately understood by some employers in industrial and commercial firms and organisations that need graphic design services.

I do not doubt the potential of the vocational sector but this is the reality of graphic design. It must be remembered that well qualified people now occupy high status positions in the Jordanian market, showing its expertise and its ability to demonstrate the highest levels of graphic design.

The size of the market and people working in graphic design

There are now more than five hundred establishments working in graphic design. There are many who would not classify themselves as an agency, centre or office, as they have found their own market niche. Therefore these classifications can not be meaningfully applied in Jordan.

The sector is large compared to the market. The establishment of new graphic design organisations peaked in 1999. Since then, some have declined while others have expanded. Some have stagnated or changed management, while others have merged.

A quick look at the design sector will show that 85% of those working in the field can be classified as;

– Computer science graduates

– Architecture graduates

– Interior design graduates

– Graduates in ‘Computers and the Fine Arts’ from community colleges

– Fine arts graduates (both graphic design specialists and non-specialists)

– Graduates of design courses run by computer centres

– Unemployed people who are interested in computers

University educated graphic design graduates fulfil an important role because;

– Universities produce Graphic Designers with a different outlook to those mentioned above.

– Organisations run by people who understand graphic design will be better able to develop designers skills and adapt to the future

I am concerned for students who study graphic design at university but do not try to improve his rate of innovation and creativity in order to improve. This will affect whether he is employable.

Academically and scientifically talented students will have few problems because good employers need students who are able to form ideas quickly, use appropriate design programs for his ideas and able to produce those. Other organisations are not useful for the academic designer. These are the push-pull level of the graphic design sector which reflects the levels of awareness of the concepts and functions of graphic design.

The market is capable of absorbing all graduates. This is dependent on the development of visual communication methods through graphic design. Such development requires the presence of skilled workers capable of meeting the needs of the market. This places incentives for educational organisations that deal with design to plan to suit the graphic design market.

The academic reality of graphic design

The emergence of academic institutions that specialised in the arts started at the Yarmouk University where the first arts and music department was established in 1980. This became a faculty in 2001, teaching drama, design (industrial, interior and graphic), plastic arts and music. The university awards bachelor degrees. It started in 2001 at the height of the computer revolution within the design sector in Jordan. In1991 teaching graphic design started as an independent specialisation within the Arts Department at the Applied Sciences University. This was followed by the Ahiya Amman University, the Petra University, Philadelphia University, AlZaytouneh University, the University of Jordan, and later the Israh University.

Apart from universities, during the time when graphic design became popular and a profitable profession, community colleges started teaching graphic design. These included the Al-Quds College, Granada College, Middle University College and Princess Alya College.

The work of the universities that award bachelor degrees is similar to colleges that grant two year diplomas, because both produce students with a certificate in graphic design. But in reality where creativity and technical skills are concerned we find differences. The differences are in the course curricula, and include understanding the production process, product identity, knowledge of software and design innovation.

There is confusion between graphic design and graphic art. These differences affect the student, particularly when he enters employment. He is judged by both his creativity and innovation in producing new ideas and his ability to use technology which now involves the computer, the main graphic design tool.

The reason for these differences becomes clear when we look at the number of workers in the market and where they graduated from. During the time that the largest number of graduates were being produced, the highest quality graduates were produced by well-known institutions and these were recruited by the most successful companies.

A distinction has developed between technicians and designers. This is because some academic institutions concentrate on technology and the practical aspects of design software, whilst others developing the ability to use knowledge and know how to connect ideas to the psychological and social context and include qualitative studies of theories and design curricula.

The reasons for this are;

– The absence of specialised academic experts in graphic design and the poor quality of some of the teachers.

– The absence of appropriate study plans for creating graphic designers

– The absence of a system defining the role of universities and colleges in teaching graphic design

– The absence of entry examinations to graphic design courses, unlike courses in the art specialisations

– The absence links to the outside world, other than through books.

– Some universities and colleges do not understand the concept of graphic design in an industrial context.

– The absence of official government support for finding a way to establish a core curriculum for university courses.

I have taught in the art departments of a number of universities and have assessed many graduation projects. These gave me the opportunity to find out about graphic design teaching, the standards of students, and showed the need for appropriate study plans. There is a lack of competitiveness which would improve educational standards and there is an arbitrary use of teaching methods. Objectives can be clear, but often mistake in not using the appropriate teaching methodology leads to them not being achieved.

In order to develop and improve, the graphic design sector needs skilled and competent workers. The workers will not be able to respond to the changes in technology unless they have a formal academic training. In order to achieve this advancement it is essential that graduate students are used as graphic design specialists.

Conclusion

There is a requirement in the Jordanian arena for the academic and professional sectors to review their experiences and identify their strengths and weaknesses. This is used by them to set a strategy capable of giving graphic design the respected position it deserves.

There is a requirement for government intervention to provide arena where specialists in graphic design may discuss many of the concepts that help them make company owners and managers aware of how to make the best use of graphic designers.

As well as teaching graphic design, universities and community colleges must support the markets needs for designers and artisans within the new specialisations which need to be introduced in order to reduce unemployment.There is a need for a professional body in graphic design to give support to designers, co-ordinate educational and technical preparation and for making contacts with the outside world. It is important to hold workshops and symposiums that enhance the competence of teaching staff, designers and students; these should be held with assistance from international institutions which are respected in this field.

It is also important to hold national and international competitions to encourage creativity and innovation. This will create a competitive atmosphere in which graphic design can flourish.

Finally, it is important to create a national identity in graphic design, which can cement its position in the international arena.

Bad Graphic Design – A Must Read Guide For Serious Web Masters and Graphic Designers

Bad graphic design is obviously something you want to avoid at all costs. Sometimes when you hire an individual or a graphic design or web design agency or artist to do a graphic design job for you, as a client you end up with an unprofessional website or design, leaving you without a proper website or design and without the money you initially invested in the web project. If you are a graphic designer or web designer, then make sure to give a 100% on every design project that comes across your desk. If you get a reputation for creating awesome work, you’ll be able to charge a substantial amount more, which would then lead to the occasional referrals from the business’s. If you create poor web design or poor graphic designs than you probably won’t get any business or will have to retain your business at much lower rates than your competitors.

What you can do to beef up you’re graphic designs or web design business, in order to retain a larger clientele, is to start a small marketing campaign. Try experiment with new things, adjust what works and what doesn’t You can also create ads and distribute them through various mediums like e-mail, door 2 door, flyers, banner ads, etc. When doing so make sure you are targeting the correct audience. It’s important for every business to learn about demographics and analyze and research what you’re client’s are looking for and trying to fulfill your clients actual needs.

The method to obtaining business and retaining it is real simple; it’s a combination of many types of marketing strategies and having a great web presence and company Identity. Many companies have a professional web designer or graphic designer to design a corporate identity package for them because its permanent. You’re identity cannot be changed later down the road, if a company changed their logo or identity than customers would not recognize or identify the old company identity with the new one, this can be extremely damaging for a business. Having a poor Identity design or web design from the start can ruin a business for life and anyone who has a business should avoid having a non professional design their identity or website at all cost.

What set’s a great graphic designer apart from a poor graphic designer is the motivation and the willingness to complete the work that’s needed to be done. Ambition is the key to my success as a designer I enjoy what I do and am constantly investing in my skill by learning new graphic design and web design software, tips and tricks or whatever I need to know to make my designs better. It’s important that potential clients, or anyone in the web design or graphic design business understand that while some individuals may have been trained and hold degrees as graphic and web designers, It does not certify them as a good designer. A professional web designer or graphic designer already knows the concepts of good design this cannot be taught in a classroom. So if you are looking to hire someone to design websites or graphic design make sure you review their online graphic design or web design portfolio before you go into a contract for web design or graphic design services or pay them to complete any design services.

If you are looking to hire a graphic designer as a part of your full time staff, then a suggested practice is to give them a demo or dummy project to design as a test of skill. There is nothing worse than hiring an individual on the basis of their online portfolio but only later to find out they did not design what was In their portfolio. When hiring anyone its best to check their previous employment background and preferably you should require a letter of recommendation from either their University or their previous employer, this ensures you’re recruiting efforts are a successful one.

Why is bad graphic design all over the web? This is mainly because business do not want to invest the initial cost in creating a proper web presence or corporate identity. Many companies don’t realize how important the two really are. Bad graphic design or bad web design gives you’re customers a cheap impression. Would you buy from a physical store that was messy dirty or had an unprofessional look or feel? No you wouldn’t, you probably keep your physical place of business in tip top shape. So why wouldn’t you want to do the same for your web presence and Identity?

You must understand as a business your identity and web presence is just as important as your physical presence if not more important. Studies show that more than 90% of the population do online research of a business before they buy. If you’re business is non-existent or you’re site is poorly designed, chances are that potential client or business will not even consider buying anything from you.

Think about bad graphic design for a minute, than browse the web for at least an hour go ahead and randomly type different words in the search engine, visit as many sites as you can. Then go ahead and write down what the first thing comes into your mind when you see these sites copy the URLS as well. Then go back and review the information you collected.

You will realize from the study that opinions are formed based on the visually appeal of site and not necessarily on products offered. So having bad graphic design or web designs associated with you’re business identity is not a very profitable one at all. What is even more potentially damaging to a company is having no identity or online presence at all.

Bad graphic design and bad web design can be prevented by investing in the right graphic designer or web design freelance contractor, or graphic design agency. Bad graphic design or bad web design can potentially harm or put you at risk of losing potential customers or clients. Avoid bad graphic design or web design at all costs. For more information and more articles containing valuable free Graphic design Resources please visit 99 Graphic Design Resources.

Click here to get instant access to cutting edge graphic design resources: Bad Graphic Design

Charlotte Payan-salcedo has over 10 years of experience in web design, web development, and the Graphic design field. Please visit a popular blog created by the infamous Digital graphic artist Charlotte Payan-salcedo.

20 Ways to Prepare For a Career in Graphic Design

Many design students have a hard time transitioning from student to employees simply because of a lack of preparation. With the graphic design industry being so competitive, it’s important to make yourself stand out from your competitors. Graphic design is a fast-growing industry that requires a lot of skills from employees. Many students struggle with a real graphic design job because they don’t know what to expect and become overwhelmed. No matter what stage you are at in your career progression, we have complied a list to better help you prepare for your career.

1. Go to School

There are very few young graphic designers that have such a good combination of skills and awareness to be successful right out of the gate. Having a graphic design degree is a great accomplishment and many employers will weigh more heavily on the fact that you have a certificate compared to someone else. You still need a strong portfolio, but having a graphic design degree under your belt will be impressive.

2. Work Hard

Getting your first job out of graphic design school will be hard work. There is plenty of work out there, but you have to be proactive about your future and search for it. If you do the proper research and connect with the right people in the industry, it will be easier for you to chase down people who will be in the position to offer you a graphic design job.

3. Figure Out Your Specialization

There are many faucets to graphic design – logo design, business card design, brochure design, identity and branding, magazine and book design and advertising. Find out which channel you enjoy the most and work best in. Having a specialization will help you stand out when you’re preparing for your career as a graphic designer.

4. Plan Out Your Courses

Plan out your courses for what will best fit your schedule and lifestyle. If you want to start working sooner, work with school counsellors to fast track your graphic design program so you can start working sooner. If you wish to get more classes to expand your design knowledge (which never hurts anyone), you can also work this into your program.

5. Be Nice

Being nice will get you far in the industry. As you prepare for your career as a graphic designer, remember that many employers are extremely busy. When calling, e-mailing and interviewing with possible employers, remember to be courteous because they are taking the time out of their day to talk with you. Treat people with respect and you’re more likely to get the same in return.

6. Network

Networking is one of the most important things you can do as a graphic design student and the sooner you start, the better. #5 and #6 are connected – if you’re nice to people they are more likely to refer you to someone for a job. Keep in touch with your network of contacts and genuinely be friendly.

7. Master Your Software

Photoshop, Illustrator and InDesign are tools you should be familiar and comfortable with. Most employers will expect you to know these tools once you graduate.

8. Take Advantage of Resources

Many of these types of services are not taken advantage of at college. The services are there for a reason – to help you. If you are looking for a job, help with a resume, interview skills, etc. they will more than happy to help you.

9. Do Side Projects or Freelance

The best way to get experience when you are young is to create your own personal projects or freelance on the side. This is also a great way for students to make some extra cash while attending graphic design school. Side projects are a good way to add work to your portfolio that is completely yours. Freelancing is a great way to work on real-world design projects with real clients. Use these experiences as a way to refine and sharpen your skills.

10. Look for Criticism

Nobody’s designs are perfect. That’s why seeking out other people to search for your mistakes is a good way to develop your skills. It may be tough receiving feedback at first because it can feel like your work is being personally attacked. Remember to differentiate yourself from your work and to use it to improve.

11. Find Graphic Design Internships/Placements

Experience is one of the best ways to make yourself stand out. Experience is what will put you on top of the resume pile at graphic design agencies. E-mail or call graphic design agencies you’d like to get the best experience from. Many agencies will take interns without advertising for them (and they may even pay you).

12. Read

Reading is one of the best skills you can inherit when preparing for your career as a graphic designing. Many elements of the design industry change so fast that you’re going to need to be able to keep up with the latest standards. Professionally speaking, reading books and internet articles will make you a smarter designer.

13. Learn Business

Being knowledgable in general business terms will prove to be valuable later in your career. If you ever want to go full-time freelance, you’re going to have to know how to run a business. Taking classes such as economics, marketing, advertising and business communication will be beneficial for you.

14. Be Original

You need to have a personal style. Without you, you can get lots within the hundreds of graphic design students that might be applying for the same jobs you are! A good way to differentiate yourself is to brand yourself. Brand your portfolio, your e-mails, your resume and cover letter and your social media presence. Be consistent across all of them.

15. Have a Portfolio

Not having a portfolio won’t get you very far in the graphic design industry. Portfolios are a way to brand yourself and promote your services. If you don’t have many portfolio pieces, create side projects for yourself, work for friends and family or freelance with real clients.

16. Have a Resume & Cover Letter

Even through some say the resume is now dead in the design industry, it’s still good to have one. If a graphic design job exceeds a number of applications, they won’t have time to look at your design portfolio. Rather, they will just look at your resume to see if you have the minimum requirements for the position. In your cover letter remember to include who you are, why you’re contacting so-and-so and why you want to work at that graphic design
agency.

17. Follow People That Inspire You

Following people you admire is important because it can be a constant source of inspiration. Twitter is a great community for graphic designers because you can easily follow all the “leaders” in the graphic designer industry.

18. Make a List of Places/People You Want to Work For

If one of your goals is to work for a specific agency, do your research before you even graduate. Are they looking for designers? How big is their company? How many employees do they have? What type of work do they normally produce and is it your style? Is the company environment somewhere you can see yourself fitting in?

19. Attend Events

Being active online is great, but meeting others and attending events offline is a great way to connect with the community. Although many of these conferences are rather expensive for graphic design students, if you can attend one, take advantage of it.

20. Do Research on Job Requirements

Job requirements for graphic designers will change slightly from one company to the next. This is a good way to prepare for your career because it lets you know what you should expect on the job. If you don’t know what your employers will be demanding of you, it can be a nerve-racking experience transitioning from student to employee.